Archive for the ‘Gallery’ Category

Sew as I go, at Artisan’s on Lewis, Mudgee was everything I wanted, a gorgeous gallery, my body of work professionally and carefully curated, enthusiastic gallery goers, family and friends, the most heavenly wine from the sponsor, Pieter van Gent and an array of red dots.

To be playful I themed up for my exhibition and wore a, Lady and the Unicorn, tapestry  printed skirt.

Mudgee is a 4 hours drive from Sydney, it’s over the Blue Mountains and into the Central West. For all those that couldn’t make it to the opening I’ve posted a photo collage. Sew as I Go, runs until September 16th, so if you’re up for quintessential wineries, colonial buildings and friendly Mudgee folk take the trip and visit.

Join me at Artisan’s on Lewis, in beautiful historic Mudgee. On show, is a year’s worth of ‘Sew as I go’, where I seek to transcend old habits that inhibit playfulness and industriousness. As I sew and as I go, I explore, refresh and cultivate curiosity. This body of work seeks to find the balance between playfulness and industriousness. 

Opening on Saturday 25th of August at 3-pm. Be inspired by over 20 contemporary needlepoint tapestries, be uplifted by the memorable, Artisan’s gallery and be refreshed by Pieter van Gent’s sumptuous quintessential Mudgee wine.

I hope to see you there xInvitation Sew as I Go

The name Tapestry Girl is playful and I like to dip into playfulness when things get too industrious. Textile art draws on creativity, skillfulness and industriousness. It’s easy to get bogged down in the mechanical side of life but when I remember to be lighthearted, grateful and playful, it feels like magic happens.

Life is busy, I have a day job, kids and a house to manage, my needlepoint tapestry is portable, so I sew as I go, it’s part of my playful project. It’s fun and rewarding to find interesting, challenging and gorgeous places to sew. People ask me how I get it all done, the key for me, is to remember to be playful and to sew as I go.

Mother May I? Use the tools of domesticity for sustained self expression and urban sass. 

As a textile artist I sometimes feel the confines of expressing myself through the textile medium. I am asking for permission and validation to use needlepoint tapestry as a medium to break the rules of tradition using a traditional medium.  Mother May I, is a ‘Darn Bombed’, repurposed traditional tapestry that I have roughly darned with black wool to impart urban sass and individuality.  I give myself permission to go outside the needlepoint tapestry grid.

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Using wool, tapestry canvas and pegboard for urban sass. On exhibition at Be Brave Art Space at 5-7 Careel Head Road, Avalon. Opening 16th of March and running 3rd of April.Invite PNG

2017 was all about maximising the needlepoint tapestry medium. I played with spray painting my 5ct canvases (90x60cm) and using the luxurious KPC yarns for a double half cross stitch which revealed the background allowing depth and layering. I’m drawn to size and wanted bigger so I moved to 3ct canvas and stitched with 20ply wool (180x110cm). I was satisfied with the size, it had impact and maximised the medium.

Throughout the year I wanted to break the rules of tradition using the traditional medium. I’m saying that the colours and shapes from our streets empower our urban woman and give them sass and individuality.  The repetition of the tapestry stitches echoes the pixels in digital work and is in line with the photographic term DPI (dots per inch)

Some 2017 highlights were; The KPC yarn Pop up shop in Paddington, the exhibition with the ‘Seedstitchers’ at Gaffa Gallery where we employed textile mediums to express our theme, Wonderment. An exhibition to celebrate The Manly Warringah Arts Festival at, Gallery Diverasity and an exhibition at TAP gallery for Sydney Craft Week.

5 big exhibitions meant a year of painting, stitching, purchasing, evaluating, creating, framing, talking, connecting, organising and feeling. I also had the honor of 4 interviews, 3 workshops and a design published in MR Xstitchs’ Modern Xstitch magazine. It was a great year and I’m feeling maximised out,  now I’m in anticipation for 2018 with 2 new body of works in process and so many notes in my art diary……. I’m giving myself permission to use the tools of domesticity to start a conversation on permission.

 

The Seed Stitch Collective

The Seed Stitch Collective comprises seven Sydney based textile practitioners exploring concepts through making. They are Soraya Abidin, Sky Carter, Alana Clifton, Suzanne Davey, Gillian Lavery, Niki McDonald and Emma Peters. Read Our story on The Sydney Craft Week web site Sydney Craft Week Interview 

JPeg Craft week

See Our exhibition at The TAP Gallery 9th – 15th of October