Posts Tagged ‘canvas’

Anni Albers Quote. Being creative is not so much the desire to do something as the listening to that which wants to be done: the dictation of the materials. Creating is the most intense excitement one can come to know.

I was chatting with a friend about my needlepoint tapestry, Slowly Taking Dictation, she said that it worked with the Polish Poet’s, Secretary of the invisible. I’m drawn to the idea of slowly taking dictation in the role of the secretary of the invisible.

Niki_McDonald_ Slowly taking Dictation _ NP Tapestry _ 2019

Slowly Taking Dictation 110x90cm. Hand dyed 30ply wool, 3.75 tapestry canvas, 2019

Secretaries by Czeslaw Milosz

I am no more than a secretary of the invisible thing
That is dictated to me and a few others.
Secretaries, mutually unknown, we walk the earth
Without much comprehension.  Beginning a phrase in the middle
Or ending it with a comma.  And how it looks when completed
Is not up to us to inquire, we won’t read it anyway.

2017 was all about maximising the needlepoint tapestry medium. I played with spray painting my 5ct canvases (90x60cm) and using the luxurious KPC yarns for a double half cross stitch which revealed the background allowing depth and layering. I’m drawn to size and wanted bigger so I moved to 3ct canvas and stitched with 20ply wool (180x110cm). I was satisfied with the size, it had impact and maximised the medium.

Throughout the year I wanted to break the rules of tradition using the traditional medium. I’m saying that the colours and shapes from our streets empower our urban woman and give them sass and individuality.  The repetition of the tapestry stitches echoes the pixels in digital work and is in line with the photographic term DPI (dots per inch)

Some 2017 highlights were; The KPC yarn Pop up shop in Paddington, the exhibition with the ‘Seedstitchers’ at Gaffa Gallery where we employed textile mediums to express our theme, Wonderment. An exhibition to celebrate The Manly Warringah Arts Festival at, Gallery Diverasity and an exhibition at TAP gallery for Sydney Craft Week.

5 big exhibitions meant a year of painting, stitching, purchasing, evaluating, creating, framing, talking, connecting, organising and feeling. I also had the honor of 4 interviews, 3 workshops and a design published in MR Xstitchs’ Modern Xstitch magazine. It was a great year and I’m feeling maximised out,  now I’m in anticipation for 2018 with 2 new body of works in process and so many notes in my art diary……. I’m giving myself permission to use the tools of domesticity to start a conversation on permission.

 

Katoomba 11-6-16 -28 1

A half cross stitch on a spray painted 3.75 Ct tapestry canvas. 95x120cm

Tap gallery 2015

urban road trip invite6

Rome Flyer

invite