Textiles, particularly needlepoint tapestry, have been central to my creative practice, allowing me to explore the intersection of tradition and raw emotion. My latest body of work shifts focus to the gritty world of Australian pub rock from the 1970s and 1980s, an era defined by the electric energy of dimly lit pubs, beer-soaked carpets, and the unfiltered emotions of working-class life.
The line “You don’t make me feel like I’m a woman anymore,” from Hunters and Collectors’ 1986 track “Say Goodbye,” serves as a key inspiration. This lyric captures the emotional tension at the heart of my work. My needlepoint tapestries depict idealized, serene domestic scenes, reflecting traditional expectations of femininity. Yet, beneath these tranquil surfaces lies a quiet suffocation—a subtle commentary on the limitations imposed by outdated gender roles.
This juxtaposition of calm domesticity with the gritty realism of pub rock creates a powerful dialogue in my work. The clash between the controlled, idealized world of needlepoint and the raw emotions expressed in pub rock lyrics allows me to explore broader cultural narratives—the tension between aspiration and the harsh realities of working-class life.
By merging these contrasting elements, my work reflects an era where art, music, and culture collided in unexpected ways. It serves as both a continuation of my artistic journey and a deeper exploration of the chaotic energy that defined Australian pub rock, capturing the emotional depth and cultural complexity of that time.
Tapestry Girl 